Friday, February 20, 2009
Culture and Traditions ok Bhaktapur
The cultural traditions of Bhaktapur are no less glorious than its artistic masterpieces. The ancient ritual dances and festivals here are observed with the same fervor and enthusiasm as they were centuries ago. Consequently, the city is still a venue for a great many festivals and cultural dances, many of them as unique as the city itself. While Bhaktapur’s Gai-Jatra (July/August) and the tantrically-inspired Nava Durga Dance (October-June), which is comprised of the city’s protectress deities, are the "only ones of their kinds" in Nepal, the Biska Jatra (April), one of Nepal’s greatest and most exciting festivals, is the only such event observed according to the official solar calendar.
DATTATREYA SQUARE
DATTATREYA SQUARE
The Dattatreya Square is Bhaktapur’s third dazzling gem. The seat of royalty till the 15th century, the area still houses a great number of historic monuments including many wondrous Maths (residential mansions) and temples.
The Dattatreya Temple is the main attraction of the Square. Constructed by King Yaksha Malla, the giant three-storied temple is believed to have been built with the stem of a single tree. Having defied series of calamities, it still bears testimony to the incredible achievement made in those regal days of the Nepalese history.
The Wane Layaku complex, which lies to the south-western corner of the Dattatreya temple, is noted for Bhaktapur’s second Taleju shrine. Enclosed with old houses, the courtyard sees throngs of people, especially during the Mohani (Dashain) festival, when a rare Ghau-batacha (Water Clock) is put on public display. During the Malla Era, the water-clock was used by the then rulers and astrologers for fixing "propitious moments" for commencing and concluding various state and social ceremonies.
The Peacock Window, which is also called the "Mona Lisa of Nepal", is a rare masterpiece in wood. Dating back to the early 15th century, the unique latticed window has an intricately carved peacock in its center. The window adorns the Pujari Math which, with rows of exquisitely carved windows and doors, is equally appealing. The building presently houses the Woodcarving Museum. The museum has a rich collection of unique pieces in wood.
The Brass & Bronze Museum, housed in the historic Chikanpha Math, is the next highlight of the Square. It has a wide collection of bronze and brasswares including the ritual jars, utensils, water vessels, pots, spittoons and similar other household items.
Near the Dattatreya Square is the Wakupati Narayan Temple. Dedicated to Lord Vishnu, the two-storied structure is a unique specimen of pagoda architecture. Next to it is Bhaktapur’s second Pottery Square.
Besides Bhaktapur’s three well-acclaimed Squares, there are many other spots within the expanse where visitors can experience a lot more. The recently-restored Ta-Pukhu (Siddha Pokhari), Ancha-Pukhu, Khancha-Pukhu, Barahi Temple, Lokeswor Mahavihar, Nava Durga Temple, the Terra-cotta Windows at Tuchhimala and Nepal’s largest Shiva Lingum at Hanumanghat are some of Bhaktapur’s monumental glories which tourists visiting this ancient city simply do not like to miss.
The Dattatreya Square is Bhaktapur’s third dazzling gem. The seat of royalty till the 15th century, the area still houses a great number of historic monuments including many wondrous Maths (residential mansions) and temples.
The Dattatreya Temple is the main attraction of the Square. Constructed by King Yaksha Malla, the giant three-storied temple is believed to have been built with the stem of a single tree. Having defied series of calamities, it still bears testimony to the incredible achievement made in those regal days of the Nepalese history.
The Wane Layaku complex, which lies to the south-western corner of the Dattatreya temple, is noted for Bhaktapur’s second Taleju shrine. Enclosed with old houses, the courtyard sees throngs of people, especially during the Mohani (Dashain) festival, when a rare Ghau-batacha (Water Clock) is put on public display. During the Malla Era, the water-clock was used by the then rulers and astrologers for fixing "propitious moments" for commencing and concluding various state and social ceremonies.
The Peacock Window, which is also called the "Mona Lisa of Nepal", is a rare masterpiece in wood. Dating back to the early 15th century, the unique latticed window has an intricately carved peacock in its center. The window adorns the Pujari Math which, with rows of exquisitely carved windows and doors, is equally appealing. The building presently houses the Woodcarving Museum. The museum has a rich collection of unique pieces in wood.
The Brass & Bronze Museum, housed in the historic Chikanpha Math, is the next highlight of the Square. It has a wide collection of bronze and brasswares including the ritual jars, utensils, water vessels, pots, spittoons and similar other household items.
Near the Dattatreya Square is the Wakupati Narayan Temple. Dedicated to Lord Vishnu, the two-storied structure is a unique specimen of pagoda architecture. Next to it is Bhaktapur’s second Pottery Square.
Besides Bhaktapur’s three well-acclaimed Squares, there are many other spots within the expanse where visitors can experience a lot more. The recently-restored Ta-Pukhu (Siddha Pokhari), Ancha-Pukhu, Khancha-Pukhu, Barahi Temple, Lokeswor Mahavihar, Nava Durga Temple, the Terra-cotta Windows at Tuchhimala and Nepal’s largest Shiva Lingum at Hanumanghat are some of Bhaktapur’s monumental glories which tourists visiting this ancient city simply do not like to miss.
Tuesday, February 17, 2009
Royal Chitwan National Park
Royal Chitwan National Park (RCNP) has long been one of the country’s treasures of natural wonders. The park is situated in south central Nepal, covering 932 sq. km. in the subtropical lowlands of the inner Terai. The area comprising the Tikauli forest - from Rapti river to the foothills of the Mahabharat - extending over an area of 175 sq. km. was declared Mahendra Mriga Kunj (Mahendra Deer Park) by the late King Mahendra in 1959. In 1963, the area south of Rapti River was demarcated as a rhinoceros sanctuary. The area was gazetted as the country’s first national park in 1973. Recognizing its unique ecosystems of international significance, UNESCO declared RCNP a World Heritage Site in 1984.
In 1996, an area of 750 sq. km surrounding the park was declared a buffer zone which consists of forests and private lands. The park and the local people jointly initiate community development activities and manage natural resources in the buffer zone. His Majesty’s Government has made a provision of plowing back 30-50 percent of the park revenue for community development in the buffer zone.
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